The Acorn + Born Ruffians

THE ACORN(Bella Union)

http://www.theacorn.ca

http://www.myspace.com/theacorn

In summer 09 the band isolated themselves at a cottage in Northern Quebec to begin work on what was to become No Ghost. Songs took shape at all hours, crafted from hazy late-night improvisations and early morning melodies pulled from the thinning threads of sleep.

Modernity clashed with the bucolic via exploratory percussion, feedback, acoustic textures and the natural surrounding sounds. The band then traded trees for telephone poles to finish recording in a sweltering heatwave at Montreals Treatment Room Studios.

Free from the emotional weightiness of Glory Hope Mountains highly personal material, No Ghost showcases the levity and spontaneity of The Acorns celebrated live shows, all the while highlighting Rolf Klauseners literate and vivid lyrics. Swathed in Talk Talk-esque spaciousness and atmospheric feedback reminiscent of early Yo La Tengo, No Ghost is a fitting soundtrack to both the tranquillity of the country, and the sodium-lamp lit romance of city nights.

Since the release of Glory Hope Mountain, the Ottawa-based band have toured Europe and North America extensively and been selected for the long-list of both the Polaris Music Prize and the Uncut Music Award.

Greatly respected by their peers, The Acorn embarked on a number of high-profile support tours in early 2009 with the likes of Fleet Foxes, Bon Iver, Calexico and Elbow, after Guy Garvey named Glory Hope Mountain his favourite album on 2008.

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BORN RUFFIANSNew Record, Say It - Out Now.(Warp Records)

http://www.myspace.com/bornruffians

http://www.bornruffians.com

The music industry convention of calling a second album a sophomore record makes it sound like rock is some kind of college, which is weird. If Born Ruffians 2008 debut album Red Yellow and Blue was the result of a talented and precocious gang of freshmen, their 2010 follow-up, Say It, would be the project they left school to finish a declaration that theyre smart and ambitious enough to make it on their own, and furthermore, that theyre in it for the long haul.

Where Red Yellow Blue began with a utopian dream, Say It opens with Oh Man, a jagged romp that finds singer/guitarist Luke Lalonde shaking his head at a romantic fool, and trying to steer him right. Youve got to go man, he explains, riding smoothly over Mitch DeRosiers galloping bassline and Steve Hamelins malleable but steady drum pattern, and go take your place in this wonderful race. A ragged echo slaps back at the guitar like wind in the bands faces; they dont flinch.

We had two and a half weeks to work on Say It, Lalonde says, which wasnt quite a luxurious amount of time, but it was more luxurious than we had during the sessions for Red, Yellow and Blue, when we had two weeks to record and mix it. Then, we were doing two songs a day. Again teaming up with producer Rusty Santos, the Ruffians and co. holed up at Mississaugas Metalworks studio and loosed the reins on their ambitions, experimenting with Minimoogs and saxophones before eventually scaling much of it back in the mixing process. Not that it was a wasted effort; DeRosier says, I think it was important that we did that, adding things just to hear how they sounded.

You can still hear the nuts and bolts of the songs, with guitar hanging out on its own (the jagged arpeggios in Late) or a bassline running away with that infectious crazy-quilt, Retard Canard. Which, incidentally, isnt about the developmentally delayed. Lalonde: Retard Canard is about a certain kind of person who feels like they dont fit in, or cant fit in and get along in life. Thats where the not part of the human race lyric comes from; its about how you just have to do it, or die trying. And the residue of their production experiments can be traced in the swooning sax licks dangling over Come Back or the watery synths lurking in the tightly-wound What To Say: When I get drunk Im speaking more / get too drunk and I dont speak at all / get too close to you and I dont know / what to say. Hamelin describes What To Say as one of those songs where we put it together out of a bunch of different ideas, and it really came together as a cohesive whole. Unlike some of the songs weve put together out of a bunch of ideas, and they sound like a bunch of different ideas. The parts hang together, a clattering machine bonded by a combination of kinetic energy and unshakeable confidence.

With Hamelin having reversed his earlier declaration that he no longer planned to tour with the band (Steve was always going to be recording with us, says Lalonde. If we had to get another drummer to go on tour, we would have done it) and ex-Caribou bassist Andy Lloyd joining them on tour to fill out Say Its added complexities, Born Ruffians are ready to pull on their boots and get down to business. Let the sophomores stumble these guys are showing up to work every day, paying the rent on time and sharing a secret laugh with the bartender. Schools out.

Tickets 8.00 Adv. and available now from:

SEETICKETS.COM: http://www.seetickets.com/event/the-acorn-born-ruffians/brudenell-social-club/496045?filler3=id1leedsmusicscene

WEGOTTICKETS.COM: http://www.wegottickets.com/event/90922

JUMBO RECORDS (0113 245 5570): http://www.jumborecords.co.uk/tickets.asp?sort=&eventid=10558

CRASH RECORDS (0113 243 6743): http://crashrecords.co.uk/online/product.php?xProd=9392

Also here FREE REMIX from BORN RUFFIANS of THE ACORNS recent song CROSSED WIRES.

Stereogum: http://stereogum.com/396832/the-acorn-crossed-wires-born-ruffians-remix-stereogum-premiere/mp3s/